If you are unfamiliar with this writer, head to the nearest independent bookstore (Ben McNally would be an excellent choice in Toronto) and buy her unusual and compelling novels Speedboat (1976) and Pitch Dark (1983), both recently reissued under the New York Review of Books imprint.
What have they got to do with legal writing?
After completing her doctorate at the Sorbonne, Adler received a JD from Yale but never practised law.
Her training in law (and linguistics) must have prompted this perceptive observation of a lawyerly or that is more conjunctive than disjunctive: ‘And I’ve found, I think, the strongest “or” in language anywhere. It’s the lawyers’ phrase: as he then well knew or should have known. The strongest or.’
And she decries the overuse/misuse of literally and presently in a passage on the ‘assault mode’ of cinema reviewers:
‘“Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair. “Presently” always meant not soon but now.’